ext_122761 ([identity profile] j4.livejournal.com) wrote in [personal profile] j4 2004-10-07 06:39 am (UTC)

If I was mentioning authors I'd probably give a couple of examples -- an idea of which works are 'classic', which are particularly good, which are a bad place to start if you haven't read anything else by that author, etc... Also I'd try to say what makes those particular authors so central, so influential -- did they inspire a lot of imitators? Or do things so differently that they changed the whole face of the genre/medium? Did they capture the zeitgeist? (Moo!) Or what?

Which is, of course, just a roundabout way of saying that I would not be able to name a single film by any of those directors except Hitchcock (I've seen 'The Birds' and 'Marnie') and possibly Bergman (didn't he do 'The Seventh Seal'? I haven't seen it, though). I've heard of most of them, but most of the time I have literally no idea who directed anything.

(And yes, I'm ashamed of this; I feel as though I'm doing the moral equivalent of not being able to name a play by Shakespeare or a novel by Dickens, or of only being able to refer to pieces of music as 'the one on the jeans advert' or 'the one that goes da-da-da-dummm'.)

I suppose one answer is that I should Just Fucking Google It, but I'm also interested in hearing ideas/opinions from people I actually know, partly because that way I'll learn something about them as well, and partly because I have more of a jumping-off-point for understanding the film if I know why somebody-whose-context-I-already-know-a-little-about rates it.

Of course, I realise that this is basically asking people to write essays on film which they don't have time for... so will understand if they don't want to.

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