j4: (badgers)
I've not had any caffeine for two weeks now. A combination of things made me decide to give it up for a while: sleeping badly (not so much having trouble getting to sleep as never actually feeling rested after sleep); persistent stomach pains which I figured probably wouldn't be worsened by giving up coffee; and a conversation with a colleague over breakfast (at a conference) where he claimed that my excessive coffee-drinking was part of some kind of subconscious death wish. Add to all this a vague probably-more-superstitious-than-anything feeling that it's worth 'detoxing' occasionally, or reminding myself that I can do without these things, & you've got a temporary caffeine fast.

To be honest, I haven't noticed many effects (apart from the hideous withdrawal headaches, which weren't as bad as last time I did this and went away after a couple of days). I do seem to be sleeping more, but part of that's because I've had coughs and colds (and tonsilitis!) for the whole of that time, and my sleep is more like a cold-ish flu-ish sleep -- total oblivion punctuated by occasional surreal and upsetting dreams. I do feel a bit more awake when I wake up, but I'm not sure how much of that is a placebo effect. The main effect, though, has been that I'm getting through the millions of boxes of herbal tea in the cupboard at a much faster rate than I have done for the years that they've been there. And when I say years, I mean it; some of these teas have moved house with me four times. The other week I decided a Herbal Tea Audit was in order, and took them all out of the cupboard and put them in order of best-before date. I wasn't surprised to find 2005s and 2004s in there, but the 2001s and 2000s were a bit worrying, and there's a packet of vanilla tea without a best-before date which I know for a fact I bought in Mauritius in 1998. It still tastes, um... okay.

Anyway, I've been drinking the herbal teas in date order (with the exception of the vanilla tea because that's actually just flavoured black tea, i.e. it's got caffeine in) and have so far finished off the ends of boxes of sage tea, mistletoe tea, lemon and ginger tea, 'Ayurvedic detox' tea, and I'm now onto 'Dr Stuart's Tranquility tea'. It's a fascinating voyage through a very limited spectrum of flavours (not enhanced by being a decade past their prime, but I know what these teas tasted like when they were new, too). Basically there are three types of herbal tea: stuff that tastes like spices (so I suppose that isn't really herbal tea at all, it's more spiced tea); stuff that tastes like leaves; and stuff that tastes like hibiscus and cardboard. I don't really bother with the third category at all any more; it all suffers from the Um Bongo effect (if you mix more than two fruits together in fruit juice, you end up with Um Bongo, whatever fruit you use; see also the 'brown effect', whereby if you mix more than two colours of paint together, you end up with brown, whatever the colours). Whether it's blackcurrant and vanilla, cranberry and orange, or anything with the word 'zester' in the name, it's 80% hibiscus and tastes like slightly fruity paper. It's the sort of taste you'd get if you ate the box that strepsils came in. The second category includes mistletoe, vervain, St John's Wort, lemon balm ... however interesting the herbs sound, the resulting tea invariably tastes like sucking hot water through a lawnmower bag. (Sage is the one exception to this rule: sage tea tastes like sage, all meaty and earthy, and has a wake-up kick to it like a cup of coffee.) The spicy teas are far more interesting: cinnamon! Liquorice! Cloves! Sweet-savoury Christmas-puddingy smells! Chai! Incense and Glastonbury and big floaty tie-dye scarves! (Not tasting of all those things, of course. Tea that tasted of Glastonbury would be horrible. Though I suppose some of the leafy-tasting teas -- notably, stinging nettle tea -- do actually taste of mud.)

Then there's mint tea, which doesn't fall into any of those categories, though I suppose it's closest to the leafy-tasting group; and I've seen a worrying trend for mint tea to be combined with other stuff. Chamomile and spearmint? Why waste perfectly good mint tea?

The one thing they all have in common, though, is that they all bear virtually no resemblance to tea.

Coming up

Nov. 21st, 2008 11:59 am
j4: (oxford)
[Part 3 of the Oxford Story, because I think the guilt of not having written it is stopping me writing anything interesting. I did write this before the midnight deadline, but when I hit 'post' it turned out that our net connection had gone down again!]

Going to Oxford )

I know I was supposed to be writing about schooling and Oxbridge for [livejournal.com profile] juggzy, but instead I'm just wandering off down memory lane, picking occasional wild flowers from the side of the path. I've lost the knack of writing essays. More wild flowers another time, maybe; perhaps I'll even manage to wrangle them into something like a bouquet.

Listing

Nov. 20th, 2008 11:09 pm
j4: (hair)
Not a poem, just a list.

Morning gloom.
Stomach hurts.
Team meeting:
interesting plans.
Phone calls.
Email backlog.
IRC messaging.
Shopping trip:
cycle ride,
bought stuff.
Quick lunch.
Committee meeting:
long debates.
Brief chat.
Dark already.
Volunteer shift:
book shuffling.
Crazy people.
Cycle ride,
home again.
Baking time:
burnt gingerbread.
Stomach hurts.
Throat hurts.
Evening gloom.
Pointless blog.
Bed time.
j4: (hair)
I'm completely devoid of bloggish inspiration and it's nearly time for bed. I remembered something I'd half-written and was going to resurrect that, but I can't find it; half a poem, or maybe a whole poem, I can't remember if it was finished. Often I think things aren't finished and when I go back to them they feel complete, or else I can't get back into them. It was written on either a yellow page or a blue page of a tiny spiral-bound notebook with multicoloured lined pages (I bought a pack of 5 of them for ninepence or thereabouts in a Booksale or similar) and I was fairly sure the notebook was in the bottom of a bag but I've looked in the bottom of all the bags I've used recently, and there's no sign of it. Which means it's probably at work underneath the enormous pile of choral music underneath the pile of things I've absolutely got to read really soon, in the pile of things I've got to remember to take into work or bring home from work or transfer from one pile of stuff to another. There are three notebooks in the rucksack I've been taking to work for the last few days because I wanted to have room for my running shoes which I'm sort of carrying to and fro because I'm deluding myself that I'm going to go running at home as well as Tuesday and Thursday lunchtimes: the new shiny red blogging notebook and two 'work' notebooks, both of which are in a state of nearly-finished where I know I need to go through them and check if there's anything still useful or relevant in them. One of them is the slightly thinner pale blue notebook with some corporate brand on the front; it feels like a more anaemic notebook somehow, and has an aura of guilt about it because of the 6 pages of outraged ranting disguised as 'notes' from a conference about e-learning which are tucked at the back of it (real notes at the front, inbetween rants at the back) which I've been meaning to write up into a coherent blog post since the conference, which was some time in April or June or some month along those lines. I could talk like this for hours. I could fill up another 60 years with this sort of shuffling of things from one place to another. I could gather up all the bits of paper into a big heap and sort them into smaller heaps and file them away with complicated systems of cross-referencing. When we moved house when I was about 8 my parents numbered all the boxes and wrote the contents of the box on a corresponding numbered index card. They have what always seemed like an infinite supply of index cards, pink and orange and turquoise and white. I could gather up all the bits of paper and set them all on fire.
j4: (dodecahedron)
I said I'd do one blog post a day this month (and I have averaged that so far, despite missing the official deadline last Thursday); I didn't promise they'd all be on this blog. So for today's entry I'm just going to point to a post on my other blog.

I suppose this also serves as a launch of the other blog. Please be nice to it, it's still quite new. :-)
j4: (kanji)
It occurred to me while trying and failing to write about the Leonard Cohen concert last week that part of the reason I found it so hard to write about was a sense of there being no correct way — or at least no comfortable way, for me — to refer to the man himself.

"Leonard Cohen" sounds fine. That's what people call him. That's the name that was on the tickets, that's who the albums are by. But you can't use first name and surname every time you mention somebody, or you end up sounding like a search-engine spammer. So what's the alternative?

In some circumstances you can get away with surname only ("Cohen's music", or "Cohen himself", perhaps), but to me that feels like the wrong register; if I wrote that sort of review, it might sound less awkward, but as it is, it feels like patchy journalistic pastiche. First name only just makes me feel embarrassed, and as if I'm pretending to a closer connection than I have -- I don't know him well enough to call him "Leonard", let alone "Len" (though I could probably get away with one ironic reference to 'Laughing Len').

Then there's a whole raft of horrible clichés which could be pressed into service as overblown pronouns: "this living legend", "Canada's greatest export", or even just (as above) "the man himself".

But at the end of the day all of these weaselly workarounds feel either too embarrassingly clumsy or too coldly detached as a way of trying to talk about someone whose lyrics are so arch and so passionate, so constructed and so breathtakingly intimate. Perhaps the simple and concrete dilemma about his name serves as a metaphor for everything else I couldn't say.

You say I took the name in vain
I don't even know the name
But if I did, well really, what's it to you?
There's a blaze of light
In every word
It doesn't matter which you heard
The holy or the broken Hallelujah
j4: (oxford)
Continued from Part 1.

Oxford revisited )

Good grief, I didn't realise I'd gone on so long. To be continued, if anybody (including me) can bear it...
j4: (moar)
[livejournal.com profile] cleanskies reminded me, with a tweet about seeing the word BREASTS on St Paul's Cathedral, that I'd seen that too! It's not that my life is so exciting that I forget about things like seeing the word BREASTS on St Paul's Cathedral, but, you know, a lot's happened since then. There were lots of other words, too, like LOVE and TOAST. If you stand and watch it and pretend you're asking it questions, it's a bit like fortune-telling with Fluxx cards.

I only saw it because I was in London for a conference and as one of the evening entertainments we went on a guided walk. The words on St Paul's came as a complete surprise. A colleague and I spent far longer than we really should have done staring at it, and giggling every time the words were about sex. "It's reading our minds!" Not that we were thinking about sex. Or breasts. Though toast was quite tempting. I managed to get photos of SILENCE and something in Arabic. Not breasts.

Anyway, this finally reminded me to go and look up what it was. It's an installation/project/thing called The Question Mark Inside, by Martin Firrell. (See also the blog.) I wouldn't have gone to London to see it, but I'm quite glad I saw it by accident, especially as it's only on for a short time. He claims the words are user-generated, but obviously he's selective about what he includes, and they're not being submitted in realtime. Wouldn't that be awesome, though, being able to txt your word, or twitter it, or something, and see it appear on St Paul's? What word would you txt?
j4: (oxford)
[livejournal.com profile] juggzy asked: So, this is a question for all the girls on my F-list, and anyone else who has tuppence to add. What are your stories. What made you apply for Oxford or Cambridge, or what made you not apply? How did you feel if you did or didn't get into Oxford or Cambridge?

So I started writing about this, and all the background and the side issues and everything, and somehow just didn't stop. This is going to have to be told in instalments, and it's probably only of interest to me, but hey, that's the self-publishing revolution for you.

How I got to Oxford: Part 1 )

Part 2 to follow...
j4: (kanji)
Leonard Cohen
The O2, London, 13th November 2008

I didn't actually know the songs of Leonard Cohen that well, apart from 'Hallelujah', and 'Bird on a Wire', and 'Famous Blue Raincoat', and all the other ones it turned out that I did know (many more than I thought). So I didn't really know what to expect, except good songs. But not knowing what to expect means having to listen more attentively to everything, because you don't really know which bits will be the good bits.

I'm not going to do a proper journalistic review. I'll leave that to people who know what they're talking about. But there were nearly three hours of non-stop good bits, good bits made almost entirely of words.

The band was a lot more smooth and shiny than I expected, less about the simple acoustic guitar and more about the backing singers with glossy voices (though one of them did play the harp as well, and the other two turned somersaults in one of the songs); all very polished and pleasant, and with some amazing guitar solos... but I'm not trying to do that sort of review. For me, really, it was all about the lyrics. And the voice -- so incredibly deep, with a texture like rough stone that's been warmed by the sun. It's a voice that sounds like the feeling of being touched.

And I didn't expect to be touched like that. I didn't expect so many poems (with and without music). I didn't expect 'A Thousand Kisses Deep', spoken over one shimmering chord, or the refrain of 'Anthem' uttered like a prayer. The right words can reduce me to wordlessness; the right combination of the sacred and the sexual can bring me to my knees. I don't want to shatter it by trying to explain it.

We missed the last train back, got the coach, arrived home at 3 a.m. All today I have been dazed and tired and had a sense of nameless longing, a sense of something just out of reach; as if there's something solid in my mind which I can touch but not see, something which my fingertips know intimately but which I don't have the vocabulary to translate.

Wire why

Nov. 12th, 2008 11:58 pm
j4: (Default)

I wrote a long blog post on paper, and was looking forward to typing it up on a computer with a real keyboard, but got home to find that we had no internet access.

This may seem like a slightly odd thing for an internet addict to say, but: I hate home networking. I wouldn't hate it if it worked, of course -- if it was like electricity, working at the flick of a switch, no configuration required, total failure so rare that we're still talking about the last time it happened -- but it's never like that.

So what is it like? )

Posted via LiveJournal.app.

j4: (Default)

Back in the parental home for one night, before visiting grandparents tomorrow. Every time I come back here, something else has changed -- there's a patio where the scrubby tree and the anomalous fritillary were; the old fire has been replaced with a neat black stove; the TV is on a modern glass corner-table instead of strange 80s built-in units; there's a shiny double bed in what was my room -- and still is my room, in parts, but with fewer and fewer of my things each time I come and go. And every time I come back, I'm a little bit different, too; thinking different things, having been to different places, knowing things I didn't know before. (Knowing things I wish I'd known then; knowing things I wish I didn't know now.) Each time I walk in and out of this place I wear away the carpet a little bit more, and one day they'll get a new carpet, but by the time it has to go, you're ready to see the back of it. Bit by bit the cells of my body will die and be replaced, leaving the dust of dead skin in a layer throughout the house; and bit by bit I'll wear the house away, taking things and leaving things, ebb and flow, flotsam and jetsam, wearing it all away like the water wears the stone.

Posted via LiveJournal.app.

j4: (Default)
It feels as though the house is falling apart in sympathy with my body, or my body is falling apart in sympathy with the house, or perhaps we are bound up like oak tree and ivy, growing and decaying together.

My tonsils swelled to clog my throat (antibiotics have helped, but I am still full of cough and cold), while the drain in the bathroom sink filled up with grime until it couldn't swallow anything either. I spent my two days off work shivering with feverish cold, while the boiler constantly hovered on the brink of not working, the pressure gauge always reporting near-zero, the house never quite heating to a comfortable temperature (despite the double glazing fitted earlier this year) without the use of the electric fire. The switch for the electric shower stopped working (though it was replaced). The sealant around the bath has decayed again (though my grouting seems to have mostly survived).

About a week ago, the inner oven door spontaneously shattered (the light indicating that the hob is switched on had long since crackled and popped into oblivion when it got water in it); my stomach hasn't been well for a few months now, forever crackling and popping in its own horrible ways, though nothing has yet exploded.

If once a month the house starts to hurt all over, it manages not to complain. The lock on the front door is sometimes as stiff as my back, though, and the noise from inside and out probably means that the house never sleeps properly either.

And nothing will ever conclusively fix either of us: we will just go on patching things up around the edges until we move, or stop moving.

Fawkestock

Nov. 8th, 2008 11:34 pm
j4: (badgers)
As we stood around in the mud, dark and rain, waiting for the fun to start at the Eynsham fireworks display, [livejournal.com profile] monkeyhands pointed out that it was a bit like being at a festival. So... Fireworks festival )

Shutdown

Nov. 7th, 2008 04:34 pm
j4: (Default)

The conference is getting to the point where everyone's brains are full; we're slowing down, fading out. Outside, the last light is seeping away; inside, the light feels close and small, inadequate against the dark. The speaker is Powerpoint-free, standing informally in front of the lectern, but he's losing his audience: behind him the computer screen being projected has gone into screensaver mode, and in front of him, most of the people have done the same.

My colleague and I are sat at the back of the room by the power sockets, recharging; his mac has gone to sleep, and so has he: eyes closed, face still drawn into lines of stress, shadowed in the artificial light. I want us all to stop pretending, to stop all this pretence at power-saving and power-napping. I want to draw down the dark and let sleep fill the space left by daylight vanishing.

Posted via LiveJournal.app.

Narrowband

Nov. 6th, 2008 11:59 pm
j4: (Default)

Racing to make the blogging deadline for today, posting from my iPhone in an overheated hotel room. Being 'wireless', as long as battery life is limited, narrows your vision in the same way that illness does: you're looking for the next plug socket, the gap between conference sessions when you can recharge; you're scrambling for the seats nearest the wall. There was a long table down one side of the Great Hall, and half a dozen of us sat there because there were sockets; we called it the 'juice bar'. That juice is a strange addiction; a cocktail of power and communication, a need to feel connected, but all empty calories.

Posted via LiveJournal.app.

j4: (disco)


I feel as though I missed the party — well, I did miss the actual election party we were invited to last night, feeling just too rotten to go out into the cold, but I probably wouldn't have stayed up all night anyway. We watched the first couple of results come in on the BBC's live feed (live blogging! tweets and emails from Have Your Say people! live videocast!) and then went to bed, setting the alarm to 7am so that we'd catch the on-the-hour news.

We woke to the sound of cheering.

[livejournal.com profile] monkeyhands says pretty much what I wanted to say about the result. It does feel like the future; it feels as though the world has, literally, changed overnight. Change has come.
j4: (badgers)
I'm not blogging about the elections. I'm barely even watching the elections (though I'm listening to the BBC's live streaming video in the background). I make a lousy political commentator at the best of times, and this is not the best of times.

I've had a lousy cough and cold for several days, and last night it turned nasty; tonsils swelled up, swallowing became painful and difficult, speaking became nearly impossible. This morning it took the doctor about 2 seconds to diagnose tonsilitis. ("What's wrong?" "*croak*" "Let's have a look... oh dear. Are you allergic to penicillin? You've got tonsilitis." She'd printed out the prescription practically before I'd answered her, though the only answer I could manage anyway was a shake of the head.)

I hate coughs and colds. I hate their narrowing effect; the throat narrowing to a painful bottleneck, the nasal passages narrowing from a river of air to a stagnant trickle, the lungs tightening and wheezing. Time narrows, too: to the next dose of painkillers, or the next digit on the clock through the long sleepless hours of the night. But worst of all, the mind narrows; lights go out throughout all the buildings that make up the civilisation of the psyche, until it's left as a vast disused lot with just one single dogged but insignificant train of thought, marching like a line of ants across a pile of rubble. Every cough and sneeze jolts it off track; it struggles to get through the tangled undergrowth of pain and the sticky dust of congestion; it forever risks being washed down the cracks with the endless pourings-on of boiling water (mitigated by herbal teabags); and when it does get anywhere, the 'line' turns out to be a scurrying disconnected mass. It can only carry anything if all the parts work together; and under that sort of onslaught, they don't always manage it.

Here they come, though. Struggling through, carrying the last leaf-fragments of this post on their backs, before crawling back underground into the dark.

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